Laughing and crying can be a form of exorcism, releasing the things that have long possessed and held captive our minds and thoughts that have wound themselves tight in the encoding of our DNA, manifesting in the physical form, changing our gait, caving in our shoulders, and transforming us into a person that is unrecognizable when looking in the mirror.
Goodman’s production of Bust was that for me and so much more!
Bust starts with the heat, like Easter Sunday’s fresh press and curl with a bit of a singe because you forgot to hold your ear like Big Mama told you to do. Retta’s ( played generously by Caroline Clay) monologue via a phone conversation is a reminder of the aunties I grew up with, possessing the graceful gifts of praying to Jesus AND knowing exactly how to methodically and musically cuss. Her opening monologue is so gut-bustingly hilarious that if you didn’t know better, you would think that the Goodman installed a laugh track. But no, Zora Howard’s pen is just that mighty. Her knack for conversation feels like she grew up at the table when grown women spoke, and she listened well.
Humor is just what we need to start us off because, as the scene progresses, we venture into familiar territory. I exhaled a heavy sigh and braced myself for the next scene: a Black man being trailed and then harassed by the police in his driveway. While this scenario is all too familiar, what happens at the climax of that situation is anything but familiar. Confusion, concern, and curiosity struck me, and the rest of the audience members as we tried to figure out exactly what happened and what to expect next. Quantum leaping and afro-futurism are woven together as the play travels to another dimension.
Howard miraculously has her hand on the past, present, and the future. She lets our minds remember what was, feel what is, and imagine what could be. I trust her as she handles Black stories with so much care.
The Atlanta cast featuring Mark Bedard as Tomlin/Jack, Cecil Butcher as Trent, Caroline Clay as Retta, Bernard Gilbert as Zeke, Caitlin Hargraves as Ms. Pinto/Newscaster, Jorge Luna as Ramirez, Victoria Omoregie as Paige, Keith Randolph Smith as Mr. Woods, Raymond Anthony Thomas as Reggie, Ivan Cecil Walks as Boobie, and Renika Williams-Blutcher as Krystal. Everyone seamlessly plays their role, managing the nuisance of their characters while holding the collective as an ensemble near and dear.
At the end of the show, I wept. I wept a steady stream of tears. I wept while my student whispered next to me, “ Are you ok?” I wept while I unpacked, moments when I wished I could have done what the characters in the play did when they reached their breaking point. I wept until the house manager gently asked us to leave the theatre. I am grateful for the catharsis, and I hope the experience of Bust is all that and more for you.
As of today, there are only 5 performances of Bust left! Grab your tickets! This is something that you don’t want to miss!







